Without MPEG’s endorsement, a programmer is stuck in their garage, and many of those endorsements are too political in nature. The mp3 also lost to other formats in high profile listening tests, though Brandenburg’s team blames the Motion Picture Expert Group’s (MPEG) tendencies towards favoritism for their lack of progress. A frequent criticism was that the mp3 was too complicated and the mp2, the mp3’s inferior-sounding competitor, boasted a more user friendly format. Many years of listening and tinkering were slow to pay off as Brandenburg and his team watched company after company take a pass on his achievements. If all that mattered was the digital coding, why not make that format as efficient as possible? With some generous funding and a team of musically-sensitive computer scientists, Brandenburg set out to prove that compact discs carried an unnecessarily bulky design. In a way, Witt delves in just a bit before this historical note by outlining Brandenburg’s apprenticeship under Dieter Seitzer, who studied under Eberhard Zwicker, the man responsible for developing “psychoacoustics” into an academic discipline. Witt starts with Karlheinz Brandenburg, the German audio engineer who is largely considered to be the father of the mp3. I had to say “No, it’s pretty good once you get going.” In at least two instances, I found myself defending the book in the presence of those who judged it by its (metaphoric) cover.
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Sure, there are definitely things that Witt could have included that he did not, like the fact that They Might Be Giants chose to release Long Tall Weekend in digital form only in 1999, or how Metallica chose to sue Napster, but his narrow focus on the dawn of music piracy and the ripples directly linked to it makes How Music Got Free a very fun book to read. In his book How Music Got Free: The End of an Industry, The Turn of the Century, and the Patient Zero of Piracy Stephen Witt traces the activity on three front lines, leapfrogging through the chapters like it was a mystery or espionage novel. Meanwhile, federal officers would be dispatched to sniff out the hackers who were performing the dirtiest work, resulting in years of online shadow chasing. Top level executives of said industry were reluctant to embrace the quickly evolving digital trends.
Music bootleggers were rapidly chipping away at a once-profitable industry. The computer scientists were trying to expose the compact disc as an unnecessary medium to a stubborn old guard. Indeed, right around that time, there were digital music battles being waged on numerous fronts. Not long after I first heard of the mp3, NPR ran a story of how this rogue sound file was so high in quality that it was beginning to spook the music industry. Just like author Stephen Witt, I first came across it in college, an environment absolutely ripe for digital file sharing.
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To simply conclude, you will never see a more heart-stopping beautiful movie in your life.A majority of the musically-inclined adult world can recall the time when they first heard about a sound file known as the mp3. I had never really liked musicals, and perhaps I still do not overly enjoy them, but this film in all its beauty cut right through that barrier and took me with it to heaven, which is where it should belong, not on this horrible place where people condemn a musical film for being almost three hours. It will make you happy, and it is so beautiful, you will almost cry. Obviously they had open minds, and they didn't care if they looked cool or not. I never wanted to watch this, but some fellow high school seniors RECOMMENDED it to me. You have to have an open mind, and forget everything every little kid has said negative about this film. They rolled their eyes and said the movie was terrible and boring. I saw this happen when I asked my little sisters to watch it with me.
This film is timeless, beautiful, inspiring, and uplifting, but I would advise that anyone who watches this would be mature enough, for anyone under the age of 15 will brush this movie aside, saying it is lame so as to maintain their level of coolness.
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The Wizard of Oz is learning how to make fire, The Sound of music is inventing the Flying car. Not that Singin is a bad musical, but not as good. Singin in the rain is sewer water compared to this. The mesmerizing European landscapes and Julie Andrews' voice, not to mention the cute performances by the children, especially in their goodbye song, make this film not only the best musical of all time, but one of the best films of all time. Not many films can achieve the flat out beauty that you see in The Sound of Music.
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